Best Horror Movies

Braindead (New Zealand 1992), released as Dead Alive in North America, is a zombie comedy splatstick horror film directed by Peter Jackson. The film is widely regarded as the goriest movie ever made; and it currently holds the world-record for the most fake blood used in a single movie.

Braindead is in the same vein as Jackson’s earlier works Bad Taste and Meet the Feebles but Braindead is rather more polished, with a budget of around $3 million. Although it starts with the capture of a zombie-creating creature on the eerie Skull Island, the movie is relatively low-key in its opening half. Only in the second part does it spiral out of control into a blood-filled zombie film.

Jackson reused the song played on the organ as the mourners wait to enter the church prior to the embalming scene. It is Sodomy from Peter Jackson’s previous film Meet the Feebles (1989).

The first scene of the movie sets up the danger of the Sumatran Rat-Monkey, a hybrid that (according to legend) resulted from the rape of tree monkeys by plague rats: Stewart (Bill Ralston), an explorer returning from the depths of the island with a rat-monkey in a cage, is stopped by his native guides. Seeing the mark of the monkey’s bite on his right hand, they immediately hold down the infected explorer and amputate the appendage. A bite mark is then seen on his left arm, which swiftly results in the removal of that limb. Finally, they see a set of bloody scratches on the Stewart’s forehead and kill him. The title screen follows the man’s dying scream, and as the opening credits roll the captured rat-monkey is shipped to Wellington Zoo in New Zealand.

Wellington, 1957, Lionel Cosgrove (Timothy Balme) lives with his domineering mother (Elizabeth Moody) and is at her beck and call. To his mother’s dismay, Lionel falls for a local shopkeeper, Paquita (Diana Peñalver), and while snooping the two on a visit to the zoo, Lionel’s mother is bitten by the Sumatran Rat-Monkey. The animal’s bite slowly turns her into a ravenous zombie. Lionel is horrified, but, ever the dedicated son, is determined to care for her.

Despite his efforts to keep her placated with periodic doses of veterinary anaesthetic, his mother starts murdering other townspeople, turning them into zombies. He tries to keep them locked away in the basement, while simultaneously trying to maintain his relationship with the completely oblivious Paquita. His mother escapes, however, and is run over by a tram.

As the townspeople assume she is dead, Lionel tranquilizes the still-kicking zombie for her funeral. After she is buried, he returns to the graveyard to administer more anaesthetic, but is accosted by a gang of hoodlums. His mother bursts from her grave, resulting in more deaths, and zombies.

As their numbers grow, Lionel manages to keep the zombies under relative control with repeated injections, and tries to keep them concealed in his home. However, Lionel’s uncle Les (Ian Watkin), arrives to try and wrangle with Lionel over his mother’s estate. Uncle Les discovers the “corpses” and blackmails his nephew into giving up his inheritance in return for his silence.

Lionel reluctantly administers poison to the zombies (“killing” them) and buries them, just as Uncle Les and a crowd of his friends arrive for a housewarming party. However, the “poison” turns out to be an animal stimulant, and the zombies burst from the ground to attack and infect the party guests in a gory finale.

Lionel, Paquita, Rita and Les are now fighting hundreds of zombies, animated intestines, severed heads, and disembodied legs, until Lionel’s mother, who has become a gargantuan monster, pursues Lionel and Paquita to the rooftop, where Lionel finally confronts his mother about the truth regarding his father’s demise. She picks him up and stuffs him back into her abdomen, and in an over-the-top Freudian “rebirth”, he cuts his way out of her grotesquely changed body and she falls into the fiery house below. Lionel and Paquita escape the burning building, and walk away arm-in-arm, covered in gore.